Filter by price
Джоб кристал Dinel А4 50 микрона 100 бр.
Джоб кристал Dinel А4, 30 микрона, 100 бр.
Джоб кристал Office Hit А4 22 микрона 100 бр.
Джоб кристал Office Hit А4 32 микрона 100 бр.
Джоб кристал Office Hit А4 42 микрона 100 бр.
Джоб кристал Office Hit А4 62 микрона 100 бр.
Джоб кристал Office Hit А4, 52 микрона, 100 бр.
Джоб кристал Office Point А4 45 микрона 100 бр.
Джоб кристал А5 35 микрона 100 бр.
Джоб мат Bluering А4 40 мик. 100 бр.
Джоб мат Esselte А4 50 микрона 100 бр.
Джоб мат Herlitz А3 с перфорация по късата страна, 55 микрона 10 бр.
Джоб мат Office Hit А4 42 мик. 100 бр.
Джоб мат PPB Extra А4 40 мик. 100 бр.
Етикети 56×25 mm на шпула Ф12 mm 600 бр. Бял
Етикети Fleks Ko Бели, елипсовидни, 45×30 mm A4, 100 л. 36 етик./лист
Етикети Fleks Ko Бели, елипсовидни, 50×40 mm A4, 100 л. 28 етик./лист
Етикети Fleks Ko Бели, за CD/DVD, Ф114×18 mm A4, 100 л. 3 етик./лист
Етикети Fleks Ko Бели, за CD/DVD, Ф117×18 mm A4, 100 л. 2 етик./лист
Етикети Fleks Ko Бели, за CD/DVD, Ф117×41 mm A4, 100 л. 2 етик./лист
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.