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Автоматичен молив Faber-Castell Grip 1345 0.5 mm Черен
Автоматичен молив Faber-Castell Grip 1347 0.7 mm Черен
Автоматична химикалка Faber-Castell Grip Plus 0.7 mm Синя
Водни бои Faber-Castell С четка, 12 цвята
Водни бои Faber-Castell С четка, 21 цвята
Водни бои Faber-Castell С четка, в малка кутия, 12 цвята
Графити Faber-Castell 2B 0.5 mm 12 бр.
Графити Faber-Castell B 0.5 mm 12 бр.
Графити Faber-Castell HB 0.5 mm 12 бр.
Графити Faber-Castell HB 0.7 mm 12 бр.
Гума Faber-Castell BiColor Цветен микс
Гума за молив Faber-Castell
Гума за молив Faber-Castell Бял
Гума за молив Faber-Castell Бял, Голяма
Гума капачка Faber-Castell Grip 2001 цветна, 2бр.
Гума-молив Faber-Castell Perfection 7058
Комплект текст маркери Faber-Castell 1548 Скосен връх 1-5 mm 3+1 цвята
Комплект текст маркери Faber-Castell 1548 Скосен връх 1-5 mm 4 цвята
Молив Faber-Castell 1111 2B, подострен
Молив Faber-Castell 1111 B, подострен
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.