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Тънкописец Faber-Castell 1511 0.4 mm Зелен
Тънкописец Faber-Castell 1511 0.4 mm Син
Тънкописец Faber-Castell 1511 0.4 mm Червен
Тънкописец Faber-Castell 1511 0.4 mm Черен
Тънкописец Pelikan Fineliner 96 0.4 mm Жълт
Тънкописец Pelikan Fineliner 96 0.4 mm Зелен
Тънкописец Pelikan Fineliner 96 0.4 mm Кафяв
Тънкописец Pelikan Fineliner 96 0.4 mm Оранжев
Тънкописец Pelikan Fineliner 96 0.4 mm Розов
Тънкописец Pelikan Fineliner 96 0.4 mm Син
Тънкописец Pelikan Fineliner 96 0.4 mm Червен
Тънкописец Pelikan Fineliner 96 0.4 mm Черен
Тънкописец Stabilo Point 88 0.4 mm Виолетов
Тънкописец Stabilo Point 88 0.4 mm Оранжев
Тънкописец Stabilo Point 88 0.4 mm Розов
Тънкописец Stabilo Point 88 0.4 mm Син
Тънкописец Stabilo Point 88 0.4 mm Тъмносин
Тънкописец Stabilo Point 88 0.4 mm Черен
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.